Jamie Drouin (b.1970) is a Canadian electronic sound composer and visual artist. His minimalist works highlight the unique perceptual experiences which can emerge from reduced palettes, and the confluence of tones over time. Drouin’s compositions simultaneously speak of stasis and change, expanding to fill rooms like temporary sculptures of evolving mass and weight.

For the past 18 years, Drouin’s primary instrument has been the analogue synthesizer, incorporating the additional timbres and noises, introduced by the slightest variation in electrical current, as important elements of change and chance in his compositions.